. In fact, many of them were labelled as “anti-plays.” In an attempt to clarify and define this radical movement, Martin Esslin coined the term “The Theatre of the Absurd” in his 1960 book of the same name. Martin Esslin coined the phrase 'Theatre of the Absurd' in this ground-breaking book, and the term has become part of the language just as this book has become an indispensable part of any literature and drama library: the definitive study of the playwrights who have dramatised the fundamental absurdity of the human condition. Etymology. He read Philosophy and English at Vienna University and graduated as a producer from the Reinhardt Seminar, the well-known dramatic academy. Esslin gathered all those plays who were revolving around the Absurd theme. He defined it as such, because all of the plays emphasized the absurdity of the human condition. In the 1960s, the critic Martin Esslin coined this term of the theatre of the absurd. . The absurd factor present in these plays was about the reaction of man towards the world without any concrete meaning. Fifty years after the publication of Martin Esslin's The Theatre of the Absurd, which suggests that "absurd" plays purport the meaninglessness of life, Michael Y. Bennett's. He also was a prolific writer of essays, articles and reviews. Access-restricted-item true Addeddate 2013-11-20 14:59:43.694693 Bookplateleaf 0003 Boxid IA1152917 City New York Donor bostonpubliclibrary Edition It is a testament to the power and insight of Martin Esslin's landmark work, … Le thГ©Ð“Ñžtre de l'absurde , Martin Esslin, 1963, Drama, 456 pages. He left Austria in 1938 and in 1940 began… More about Martin Esslin The 'Theatre of the Absurd' has become a familiar term to describe a group of radical European playwrights – writers such as Samuel Beckett, Eugène Ionesco, Jean Genet and Harold Pinter – whose dark, funny and humane dramas wrestled profoundly with the meaningless absurdity of the human condition. First published in 1961 and revised several times owing to its enormous success, Martin Esslin’s book-length survey The Theatre of the Absurd attempted to identify and classify this new trend in drama, lassoing a range of writers who emerged in the 1950s, chiefly Beckett, Ionesco, Adamov and Genet. Critic Martin Esslin coined the term in his 1960 essay "The Theatre of the Absurd", which begins by focussing on the playwrights Samuel Beckett, Arthur Adamov, and Eugène Ionesco. Esslin’s other books include Brecht: A Choice of Evils (1959), The Anatomy of Drama (1965), The Peopled Wound: The Work of Harold Pinter (1970), Artaud (1976) and The Age of Television (1981). Martin Esslin 17 followers Martin Julius Esslin OBE (6 June 1918 – 24 February 2002) was a Hungarian-born English producer and playwright dramatist, journalist, adaptor and translator, critic, academic scholar and professor of drama best known for coining the term "Theatre of the Absurd" in his work of that name (1961). About Martin Esslin. The Genius of the German Theater , Martin Esslin, 1968, German drama, 638 pages. Esslin says that their plays have a common denominator — the "absurd", a word that Esslin defines with a quotation from Ionesco: "absurd is that which has not purpose, or goal, or objective." Martin Esslin was born in Budapest and educated in Austria. Martin Esslin's study of Pinter's plays has become a standard work since its publication in 1970. 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