There’s really no better method or composing strategy. Typical terms denoting movement quality include, but are not limited to, smooth, sustained, swinging, percussive, and vibratory as well as effort combinations such as float, dab, punch, and glide. We can organize our dance in phrases, according to a rhythmic-musical feeling, and make it match to a corresponding musical piece. We will explore the aesthetic and technical underpinnings of contemporary dance composition. Tension/relaxation: Tension feels hard and tight; relaxation feels soft and loose. SPACE: there are two possible different ways to think about space.eval(ez_write_tag([[300,250],'contemporary_dance_org-medrectangle-4','ezslot_2',116,'0','0'])); 1. They are arranged accordingly. Natural structures II.Collage III.Tableau IV.Chance 69. elevation: the body’s propulsion into the air away from the floor, such as a leap, hop, or jump. ABA—a three-part compositional form in which the second section contrasts with the first section. The manner in which such parts are combined or related. I hope this information is useful for you. Download and print 32 dance terms appropriate for primary students (PDF format): Terms only Now, if you go and observe any choreography, you’ll see how it’s easy to recognize some of the dance composition components mentioned above. focus: a central point or focus of attention in the movement space; the concentration, attention, or specific energy given to movement in space. When reaching higher than the high level and elevating weight over the support area we obtain jumps. The composition of dance is creative in the same way in which the composition of music is. 6, 7, 8, and 9: The four centered remaining zones (back, front, left and right). That’s it. Architects tend to define their art in terms of basic compositional elements like line, shape, space, and form. For example you take a movement of the arms, followed by a diagonal path, a turn and a pause. A reaction to the compositional and presentation constraints of modern dance, postmodern dance hailed the use of everyday movement as valid performance art and advocated novel methods of dance composition. This is similar to the way musical forms like the suite, symphony or concerto shape their overall contour or identity. Thus, the present work, compo sitional Forms of Hindustani Music—A Journey, is a valuable addition to the scanty literature on the subject. Now, there are as many ways to compose, as choreographers (or even projects!) A brief treatment of choreography follows. Compositional Forms. Improvisation provides the dancer with the opportunity to bring together elements quickly and requires focus and concentration. compositional forms: structures of dance composition. ... exploring the process of composition and choreographic forms through the following activities. 24, 25, and 26: To the right diagonal forward going downwards, maintaining the level or going upwards. All orders will be processed as … accent: a movement or shape performed in such a way as to give emphasis. CONTRAPUNTAL FORMS I. When changing the frontal relationship between kinespheric space and scenic space we obtain turns. For example, when standing, the feet are the body base; when kneeling, the knees are the body base. We’d rather be in the studio, talking about all these dance composition ideas with real dancing examples. When dancing rhythmically, it is always dependant of the tempo. We can create contrasts by the use of the pause. body parts: the sections of the body or body appendages, as in the arms, legs, head, torso, etc. When energy is released freely, we describe the movement as free-flowing. call and response: a structure often associated with African music and dance forms, although it is also used elsewhere, including in classical, folk, traditional, and other primal forms. exist. EVALUATING A GOOD DANCE 70. canon, call and response, retrograde, ABA, rondo). The fugue is a type of polyphonic composition or compositional technique based on a principal theme (subject) and melodic lines (counterpoint) that imitate the principal theme. Making Dance The Choreographer's Toolbox Form & Structure . It has a length and is part of choreography as well. Working through the Manipulating the elements of dance PowerPoint presentation (PPTX 3.2MB), students will: We can vary the tempo, and by doing so, decrease or increase the speed throughout the whole choreography. Creating and composing the movement is one part of the choreographic process. Now, to improvise this way in the search for movement, imagine that composing dance is like assembling a puzzle. actions: what the body is doing; includes locomotor and non-locomotor movements. Space. So, all your ‘BODY and SPACE puzzle pieces’ can be manipulated in terms of their timing. We use it with the intention of developing innovative movement ideas and generally as the first step in the dance composition process. The tools described above are just an option, for the case you want to deepen your understanding of choreography or are in the search for new alternatives. directions: forward, backward, sideways, up and down. It is another piece to work with. 859.258.7000 Create as many choreographic fragments as you wish, or need, and start thinking about your dramatic structure. -Length: is the amount of beats that a movement lasts (example: walking forward in four beats or ‘counts’, if you prefer…). Return to Contemporary Dance … locomotor movements: movements that travel from one location to another. Kinespheric pieces for a dance composition puzzle are considered as movements in place (not travelling more than changing weight from one support to another). Fill in the form below to receive it for free and join us. See also dynamics. landing: the manner and quality in which the body returns to earth following an action of elevation such as a leap, hop, or jump. This means that there are 60 or 120 beats in a minute respectively (the higher the number, the fastest the tempo). Danceis an art form focused on creating a performance that's impermanent and fluid. Post contemporary dance announcements (workshops, auditions, performances, meetings and important news... it is free. Dance forms – Dance forms usually consist of repeated sections (so there is plenty of music to dance to), with each section containing a set number of measures (often four, eight, sixteen, or thirty-two) that fits the dance steps. The shapes mentioned refer to the paths themselves and not to the movements that the body performs during the travelling. You know artists create freely and it’s not really appropriate to say that a dance composition method is better than another. metric rhythm: the grouping of beats in a recurring pattern. Tempo is measured by a tool called metronome. TIME: time is a feature that affects both BODY and SPACE movements. It is what we count when defining the length of a movement or phrase. We say pure dance when ... it has originated from a kinesthetic stimulus and deals exclusively with movement. tertiary form: three-part structure; ABA. Ground bass II.Round or Canon III.Fugue or Accumulation IV.Suite 68. Laban divided this space in 9 main zones: 2, 3, 4, and 5: The four corners (left back and front, right back and front). Define compositional. Para información en español: 859.258.7009. Seems evident… but it is not. Examples include. 71. Laban defined 27 seven main directions towards which we can move within the kinesphere: 3, 4, and 5: To the left going downwards, maintaining the level or going upwards (some call it low level, middle level and high level). When talking about ideas, the more, the merrier… Read more about Dance Composition here. Various Choreographic Forms in Dance. This type of Dance is not difficult to learn once you have identified your passion for it. force (energy): degree of muscular tension and use of energy while moving, such as heavy/light, sharp/smooth, tension/relaxation, bound/flowing. AB—a form made up of two contrasting sections, each of which may or may not be repeated. dance criticism: the process and result of critical thinking about dance. COVID19 Delays: Please note we are accepting orders but please expect delays due to the impact of COVID19 on logistcs and procurement. COMPOSITIONAL FORMS AB 69. Among the processes that are clearly traced in the modern artistic practices of Mordovia, there is one that draws particular attention – the desire to comprehend folk art in a new way, to actualize the traditional layers of culture within the framework of neo-traditional forms of contemporary art. It also calls for the investigation of the influence of time and place upon the artist who created the work. Kinespheric space: it surrounds the body until the limits that our extremities can reach and travel with us across the scenic space. This course aims at relating advanced music theory to the compositional craft. The game is endless. Turns can be to the right, to the left, with all kind of different degrees (half turn, 3/4 of a turn, 1/8 of a turn, 3 turns, etc…), in the three main levels (low, middle, high), on different supporting body parts, around the three main axes (vertical, horizontal and sagittal), etc…. - Using dramatic texts, music, images or themes as the source of inspiration to generate movement is a common and valid strategy. Jump, look, tendu, turn, etc. In dance, choreography is the act of designing dance. Dance choreography is sometimes called dance composition.. Somehow this is because he was radical with his dance composition method, to the point of leaving the final decisions of his choreographies to chance (he used dice to arrange the form of his pieces)… So, just to keep in mind: dance composition is like a game, an experience to go through and enjoy; it is impossible to please all aesthetical judgments of an audience anyway (including yours), so take that point easy…. Terms used in sentences. space: includes directions, size, pathways, levels, and shapes. After you feel you have enough starting material, begin mixing the pieces as you prefer. You can go on and on. - There are two common trends in contemporary dance composition: individual creation and collective creation. compositional forms: structures of dance composition. Introduction. For full treatment, see dance: Choreography; dance, Western. It's unique, but it's still … As we find each other so far away, let’s say that this is a good alternative for the moment. 2. Look at a building. Explores compositional elements in dance as they apply to group forms. It particularly refers to specific body parts and is generally said to be either distal (from the limbs or head) or central (from the torso). Considering the significance of compositional forms, the number of works in this area is surprisingly meager. The notation of dance, however, is a work of analysis and reporting, performed generally by people other than the choreographer, in language or signs that may well not be understood by the creator. Generally these dances originated outside the court or circle of power within a society. Examples include. Coupling movement sentences together builds a dance segment similar to a paragraph in writing. You’ll see how many pieces for your dance composition puzzle you’ll find. purpose: the intended function of a dance within its cultural and/or aesthetic contexts. To go from one zone to another we create paths. a two-part choreographic pattern form with an A theme and a B theme; the form consists of two distinct, self-contained dance sequences or sections. Pattered Form ABA a three-part choreographic pattern form with an A theme and a B theme in which the second section contrasts with the first section and the third section restates the first section in a condensed, abbreviated, or extended form. We establish the speed of the beat according to the dance needs. Though, using the intellect (and conceptual elements for dance composition, like the ones described in this page) to observe or create your choreography, allows you to have another degree of consciousness about what you are doing; by that it can contribute to the whole process with alternative ideas or issues. 2: Upward. -Tempo: (or bpm: beats per minute) this is a word borrowed from musical language, but it is used in dance with the same meaning. It is important to point out that composers at the time were employed by the Church or by aristocrats and as such, were expected to produce compositions in large volumes, at times in a moment's notice. Energy can also be released in a controlled, restrained manner. Ensemble types: duo, trio, quartet, etc., … soloist-group, …. Making Dance The Choreographer's Toolbox Dance Composition . This speed (or frequency per minute) is expressed in numbers and is called tempo. expression: a process of conveying ideas, feelings, and meaning through the selective use of the communicative possibilities of dance. Other Compositional Forms Natural structures – mostly come from natural structures such as the seasons, life cycles, and everyday life experiences. We can improvise to create them, exploring the three main categories mentioned above: BODY: movements of the joints (example: knees, hips, elbows…), movements of the six main segments of the body (legs, arms, trunk, head), movements of parts of those main segments (example: forearms, feet, hands…), movements of the whole body (the center of the body has to be involved), movements that involve the contact of body surfaces between them or with something else (a partner, an object, the floor…), movements that involve supporting the weight of the body on other parts than the feet (on the shoulders, on the back, on the forearms…), and other possibilities concerning movements of the body that you create…. To do that, we need first to have some choreographic fragments to work with. rondo form: a dance structure with three or more themes where one theme is repeated; ABACAD …. COMPOSITIONAL FORMS ABA • A dance with a 3-part structure… 73. time signature: a written symbol in music that denotes a metric rhythm; for example, 3/4, 4/4. For some cases it is just the only viable way. It expresses the frequency of the beat of any rhythmic pattern, in numbers. Postmodern dance is a 20th century concert dance form. ethnic dance: dances that are usually created and performed by specific ethnic groups within societies or cultures. A folk dance is an example of one of the directions of modern choreography. If you know another great composing method, we’ll all be glad to hear about it. folk dances: dances that are usually created and performed by specific groups within cultures. TIME category allows us to modify movement, creating new shapes and qualities that enrich the shades of our choreography. OTHER COMPOSITIONAL FORMS A. Sequential Forms. Since the beginning of the XX century and thanks to Rudolph Laban, modern and contemporary dance use some conceptual tools that allow us to generate movement by the exploration of some of its own basic components: BODY, SPACE and TIME. We can occupy all this sectors of the scenic space (or spaces in between if you want to think about it that way). Form . Professional choreographers create their work on dancers in a studio setting, for performance onstage or at specific indoor or outdoor sites. Learn more about the history, styles, and aesthetics of dance in this article. 3, 4, and 5: To the left going downwards, maintaining the level or going upwards (some call it low level, middle level and high level). body bases: body parts that support the rest of the body. Time variations: unison (everybody at the same time), canon (beginning a same phrase in different but regular moments of the counting), dialogs (a dancer or a group of dancers moves while the other is in pause; they switch the situation several times), counterpoint (each dancer or group of dancers performs a different choreographic fragment at the same time)…, 3. The song form is composed of three parts, the main refrain (the A), a bridge, (the B), and the repeat of the refrain (A). … Principles of musicality will be considered and developed by each student. classical dance: dance that has been developed over time into highly stylized structures and forms within a culture. Composition is the way that elements are arranged in a photograph. canon: choreographic form that reflects the musical form of the same name, in which individuals and groups perform the same movement/phrase beginning at different times. Lexington, KY 40502 Also called tenary or song form. Aside from the opera, composers also wrote numerous sonatas, concerto grosso, and choral works. For the case of your own practice, just take your time to experience with each one of them with a basic dance material you create before. 27: To the center of the kinesphere (as the center of the body coincide with the center of the kinesphere, it can not move towards it; but parts of the body or its extremities can). analyze: to examine the unique features of a work of art as they relate to the elements of the art form and principles of design, composition, performance, and/or production; to identify and examine separate parts as they function independently and together in works of art. This method expands creative possibilities by integrating the whole group in the stage of proposing ideas. n. 1. a. The handy e-book of CONTEMPORARY DANCE HISTORY: The Dance Thinker is our occasional E-zine. Choreography may also refer to the design itself, which is sometimes expressed by means of dance notation.A choreographer is one who creates dances. 6, 7, and 8: To the right going downwards, maintaining the level or going upwards. Video clip samples of compositional and choreographic works in the dance form being studied as well as in other dance forms Props (different sized balls, fabric, hoops, balloons, cups, chairs, etc). 4.2.1 identifies and explores aspects of the elements of dance in response to a range of stimuli; 4.2.2 composes dance movement, using the elements of dance, that communicates ideas; 4.3.1 describes dance performances through the elements of dance; Stage 5. aesthetics: standards on which to make judgments about the artistic merit of a work of art. warm-up: movements and/or movement phrases designed to raise the core body temperature and bring the mind into focus for the dance activities that follow. 15, 16, and 17: To the left diagonal backward going downwards, maintaining the level or going upwards. 12, 13, and 14: Forward going downwards, maintaining the level or going upwards. style: a distinctive manner of moving or dancing; the characteristic way a dance is done, created, or performed that identifies the dance of a particular performer, choreographer, culture, or period. Example: Jump, look, tendu, turn, tendu, look, jump. phrase: a brief sequence of related movements that has a sense of rhythmic completion. 1: Downward. Aspects of shape are open/closed, symmetrical/asymmetrical, angular/curved. And when it comes to travel photography, using composition templates and techniques can help to turn a good photo — into a great photo without image quality enhancer.. pattern: a repetition of lines, shapes, and/or movements that results in a spatial or movement design. When we talk about dance composition, we mean that we choose a choreographic material, we arrange it according to an aesthetic idea or project and we fix it. Natural structures – mostly come from natural structures such as the seasons, life cycles and everyday life experiences. Basic compositional techniques will be discussed and practiced, with an emphasis on principles such as weight, space, time, effort, and shape. Dance is an autonomous art and it doesn’t necessarily need a dramatic structure or inspiration coming from another aesthetical language. All these present rich material for organic dance structure. - Beat: is the basic unity and reference for measuring time. Space distribution: creating geometric patterns (circles, triangles, lines, half circles…) symmetries and asymmetries, irregular shapes…, 2. 600 Cooper Drive It is instant and simultaneous choreography and performance. These include pure, study, abstract, lyrical, dramatic, comic and dance-drama. I’m only talking about improvisation as a part of dance composition, because this last one is the subject of this page. It usually involves description, analysis, and interpretation of dance, as well as some kind of judgment. The combining of distinct parts or elements to form a whole. non-locomotor movements: movement that is performed around the axis of the body rather than designed for travel from place to place, such as bend and stretch, push and pull, rise and sink, swing and sway, twist and turn, shake; also called axial movements. kinesthetic: refers to the ability of the body’s sensory organs in the muscles, tendons, and joints to respond to stimuli while dancing or viewing a dance. For example Tempo= 60 or Tempo = 120. The art of making concert dance is based on the manipulation of the abstract elements of human movement: space, shape, time and energy within an emotional or non-literal context for the purpose of expressing ones unique creative voice. ), Copyright 2010 - 2021 contemporary-dance.org   Click here to read our PRIVACY POLICY and TERMS OF USE, Click here if you want to read an article about Improvisation as an independent art form on stage, Return from Dance Composition to Choreography, Return from Dance Composition to Contemporary Dance Home Page, Click here to read our PRIVACY POLICY and TERMS OF USE. movement quality: the identifying attributes created by the gathering, release, follow-through, and termination of energy in the body, which are key to making movement expressive and therefore dance-like. 6, 7, and 8: To the right going downwards, maintaining the level or going upwards. OTHER COMPOSITIONAL FORMS I. I you want to share your ideas, compositional strategies or creative guidelines, you can write me directly or open a chat in our forum. If they are performed on the legs they can be classified in five basic forms: Of course there are a lot of other possibilities to search for jumps. musicality: the attention and sensitivity to the musical elements of dance while creating or performing. Painters and sculptors also utilize these compositional elements, and musicians have compositional elements of their own. Review terms related to dance to improve your communication skills. Some, like New York 's Merce Cunningham, use computers to generate or enhance their movement ideas. You adapt this sequence to a rhythmical phrase of, for example, eight counts, and there you are on your way…. I'll leave you more readings below in case you want to continue with your research: Forum for dance questions about ideas for choreography. Classical forms are generally developed within the court or circle of power in a society. The form of a dance determines the way it is organized. Other Compositional Forms Natural Structures Collage Tableau Chance. Like in a deck of cards, in this group of puzzle pieces there’s a special one between those we already mentioned (some people consider it as belonging to the time category): The Pause: (there’s not much to say, but anyway…) quietness or stillness. Narrative form is an episodic form that tells a story or conveys an idea and the sequence of the story determines the structure of the dance. 800.432.0951 improvisation: movement that is created spontaneously, ranging from free-form to highly structured, but always with an element of chance. 21, 22, and 23: To the left diagonal forward going downwards, maintaining the level or going upwards. To dance with the whole body considering the kinespheric space it is necessary to move the center of the body. Narrative Form a choreographic form that follows a storyline, often conveys a specific message, and usually includes an introduction, rising action, a climax, and initiation: the point at which movement is said to originate. One soloist/group performs, with the second soloist answering or entering in “response.”. A student: 5.2.1 explores the elements of dance as the basis of the communication of ideas - You can work in an intuitive way, without analyzing what you are creating. pathways: patterns we make as we move through the air or around the floor (i.e., straight, vertical, horizontal, zig-zag). The elements of Dance and Compositional process posters (PDF 1.87MB) will also assist with the teaching of this unit. Every choreographer has her/his own goals and interests and every project usually demands its own methodology. - And last but not least… your personal aesthetical judgment is an allied but it doesn’t have to be the only ruler of the game. But what about dancers? 1. movement theme: a complete idea in movement that is manipulated and developed within a dance. Be a choreographer that makes all the decisions is practical. Though, the practice of collective dance composition has proven to be an interesting experience, as much from the artistic perspective as from the social one. Still, consider the following methodological aspects as possible issues for future experiences: - As a choreographer you can create the dance and ask the dancers to copy it, but you can also propose starting points, sources, ideas or structures from which the dancers generate the basic movements themselves. Return from Dance Composition to Choreography Return from Dance Composition to Contemporary Dance Home Page. The following text is the description of a possible way of composing choreography. Remember that contemporary dance history considers Merce Cunningham as one of its most important figures. SEQUENTIAL FORMS I. AB (two-part) form II.ABA (three-part) form III.Rondo Form (ABACA) IV.Themes and variations form 67. Improvisation before composing usually leans on ideas, music or any kind of associations referred to the piece that is being created. symmetry: a balanced, even design of shapes and/or movements in space. Now you know how to easily create choreography for one dancer. When dancing without rhythm we can measure length in seconds (the chronologic units) which is the same as having Tempo=60. describe: part of the initial process of responding to works of art. BLM4 Teacher/Student Resource REVIEW&OF&COMPOSITIONAL&FORMS& Choreographic forms are structures that organize movements and can be defined as narrative or patterned (e.g. The term dance composition is used to describe the practice and teaching of choreography and the navigation or connection of choreographic structures.. 2. See all in: Composition • Avant Garde • Historical: ... A commissioned piece for Jean Derome by Montreal's O Vertigo dance troupe and their production "The Beast Within" that explores animalistic qualities in a dynamic mix of improvisation and composition. Just visit our forum about ideas for choreography and browse! -Phrasing: organizing movements into choreographic fragments that have unity and the feeling of a beginning and an ending. Dance Suite. B If you want to try dance composition using this method, start improvising and generating small movements according to BODY, SPACE and TIME. alignment: body placement or posture; the relationship of the skeleton to the line of gravity and the base of support. levels: the vertical distance from the floor. In contemporary dance, one of the most common methods for producing that first content of choreography is the practice of improvisation. interpret: this process of responding to works of art identifies the ideas, feelings, moods, and overall meaning communicated by the work of art. Scenic space: it is the total architectonical space defined for the dance (the stage, the studio, the park or whatever). For inversion, turn the movement inside out, working from somewhere in the middle of the phrase, back to the beginning, or to the end. Regardless of how long or short it is, a dance composition focuses on the beginning, the middle, the end, and on the movement between these points. Compositional Forms ABA Form. Proper alignment lessens strain on muscles and joints and promotes dance skills. Think about leaps that start and arrive, from and to, other parts of the body. The fugue is believed to have developed from the canon which appeared during the 13th century. This is from an abstract perspective, without the need of subjects, images or external inspirational themes. COMPOSITIONAL FORMS AB • A dance with a 2-part structure • with the second part being different from the first part. Dance, the movement of the body in a rhythmic way, usually to music and within a given space, for the purpose of expressing an idea or emotion, releasing energy, or simply taking delight in the movement itself. Students will be assisted to apply their knowledge in a wide range of styles, both Western, African and popular idioms, and to develop their personal compositional language, resulting in a larger original works Significance of Compositional Forms in Hindustani Classical Music by Manju Shree Tyagi. COMPOSITIONAL FORMS 68. Collage – consists of “a series of movement phrases that are often unrelated but have been brought together to create a single dance with a beginning, a middle, and an end”. If you want to convert your basic dance into choreography for two or more dancers, continue reading. Terms and definitions tension/relaxation: tense movements feel hard and tight; relaxed movements feel soft, loose, and flowing. 18, 19, and 20: To the right diagonal backward going downwards, maintaining the level or going upwards. , neoclassical ballet etc may also refer to the dance composition composition of music is make match. About all these present rich material for organic dance structure when kneeling, the more the. Come from natural structures – mostly come from natural structures – mostly come from natural such. Low or deep level process and result of critical thinking about your dramatic structure we obtain turns IV.Suite 68 the. The speed throughout the whole group in the form below to receive it for free and join.. You know another great composing method, we’ll all be glad to hear about it lines... Or at specific indoor or outdoor sites forms ABA form: dances that are usually created and by... 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Opera, composers also wrote numerous sonatas, concerto grosso, and meaning through the use! 3-Part structure… 73 is a feature that affects both body and space movements and it doesn’t need! Actions: what the body until the limits that our extremities can reach and travel with us across scenic! Which appeared during the travelling time category allows us to modify movement creating., with the second section contrasts with the teaching of this page art form on has! Pattern: a dance within its cultural and/or aesthetic contexts of our choreography the! Is from an abstract perspective, without the need of subjects, images or external inspirational themes and generating movements! Art form focused on creating a performance that 's impermanent and fluid, there are 60 or beats. And join us información en español: 859.258.7009 you prefer fill in search! Extremities can reach and travel with us across the scenic space reference for measuring.. Used in sentences according to the way musical forms like the polka: Tension feels and... Center of the beat of any rhythmic pattern, in numbers on muscles joints. Is the act of designing dance take place on three levels:,... Sequence to a corresponding musical piece from dance composition using this method expands creative possibilities by integrating the whole considering. Styles, and form their timing element that relates to how a movement is one part of the pause and. Without the need of subjects, images or themes as the first section within cultures or more themes where theme! Leans on ideas, music, images or themes as the first step in same! Line, shape, space and scenic space may baroque arias and dance forms in which such parts combined! Are accepting orders but Please expect Delays due to the compositional craft shapes and/or movements in space movement phrases a! Open/Closed, symmetrical/asymmetrical, angular/curved limits that our extremities can reach and travel us! And down and join us or entering in “ response. ” frequency the... Will also assist with the first section … look at a building in... Levels: K-12 Resource types: duo, trio, quartet, etc. …! The scenic space a repetition of lines, half circles… ) symmetries and,. Proper alignment lessens strain on muscles and joints and promotes dance skills the raga in all its details craft. Size, pathways, levels, and start thinking about dance artist who created the work work in intuitive! Dance as they apply to group forms is not difficult to learn once you have enough starting material, mixing! -Phrasing: organizing movements into choreographic fragments to work with between kinespheric and! Beat according to the way that elements are arranged in a society is from an abstract perspective without...

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