It features the same 42-Mpix full-frame CMOS sensor as the Sony A7R II, paired with the familiar Zeiss 35mm f2.0 Sonnar lens first seen on the RX1. Figure $1,900 - $2,000 for the body only at typical street prices. Just as the lens freed me from worrying about staying in its sweet spot, the Sony RX1's super-clean high ISO files meant I could by and large stop worrying about ISO as well. Features Handling Performance Verdict Specification The Sony Cyber-shot RX1R is an update to the Sony Cyber-shot RX1 but with the anti-aliasing filter removed to … It was also very bright; objects viewed through it actually looked brighter to my eye than when viewing them directly. As we stated in our overview of the RX1, continuous AF (which is only available in video mode) is virtually useless. In the case of the RX1, rolling shutter artifacts are clearly present, but nowhere near as bad as we've seen with some cameras. A nature photographer would probably never notice a moiré in their subjects, but someone shooting a lot of buildings and architectural details could run across them quite often. Note that 1,440 x 1,080 mode uses rectangular pixels (1.33:1), so movies are 16:9 aspect ratio, despite pixel dimensions that would suggest a 4:3 ratio. When we first got our hands on Sony's full-frame compact camera, the Cyber-shot RX1, we were allowed to touch it, but we couldn't use it for its stated purpose. The EV-adjust and Mode dials both take enough force to move that it's very unlikely they'll ever get changed inadvertently, but they stop short of being so stiff as to be awkward. This means you can crop away half of the frame and still have enough resolution to make a very nice print to sit on the side table or hang on the wall. At least for the sort of photography I'm interested in, the positives vastly outweigh the few negatives. This was likely a deliberate choice on Sony's part, and given the price point of the camera, one that's probably justified: Experienced digital shooters know that once you've lost your highlights, they're gone forever, so you generally want to be very conservative in your exposures to preserve them. The Sony RX1 records at three different video resolutions, and can record high-definition movies in either AVCHD (2.0) or MPEG-4 formats. The RX1 can record audio via an internal stereo microphone system comprised of two small mics on top of the camera on either side of the hot shoe mount. (Ah, the lens!) RX1R. Full-frame, 24-megapixel sensor in a compact body; Carl Zeiss Sonnar 35mm f/2 T* lens; Blazing fast autofocus; Impressive image quality that rivals (and sometimes surpasses) full-frame DSLRs; Customizable function buttons make it a breeze to use. A simple Mode dial and Exposure compensation dial are placed in traditional locations, and the power switch rings the shutter button. Sony's dynamic-range expansion options worked as well as they always do, with 5 levels of "DRO" (Dynamic Range Optimization), and HDR exposure ranges as high as 6EV. Both the DRO and HDR options have an available Auto setting as well. More advanced users may be frustrated unless they read the manual (or this review), and rely upon the video-specific PASM options available only in movie mode. The resolution is just incredible, which to some extent mitigated my dismay over the lack of a zoom lens. It's made for those who would gravitate to the Leica M9, or who, back in the film days, would have spent a lot of money on a Contax G or T-series film camera -- cameras with their own acclaimed Carl Zeiss lenses. The net result is that you'll need a reasonably recent computer to play the RX1's Full HD video files smoothly, and will want a pretty powerful machine for Full HD video editing. No problem, I set the right 4-way button to control aspect ratio, so I could switch from one to the other in a heartbeat. Capable of a nice 24 x 36 inch wall display, which really is remarkable at this ISO. Since a photo was the last file recorded, when you press the playback button, you'll be presented with just still images. With a full-frame sensor placed inside a compact body -- married with a fast, sharp 35mm Carl Zeiss lens -- the Sony RX1 achieves what was once almost unthinkable -- an almost-pocketable camera that delivers stellar hi-res images. It is an expert-level compact with a 24 megapixel full size sensor (notably used by the Sony α99).The sensitivity ranges from 100 to 25600 ISO. With shading compensation enabled, we got relatively uniformly-exposed frames, but also with the color tints. Going downmarket a little, there's the Leica X2, with a 35mm-equivalent lens, but coupled to a lower resolution APS-C size sensor. Nikon's D600 leaves behind a bit more luminance and chroma noise, following Nikon's generally more conservative approach to noise suppression, and as a result maintains more detail in the red leaf swatch than the RX1. While the RX1's EVF is better than many, it still blows highlights and plugs shadows, making it difficult to compose shots where there's significant subject detail in either. Removing AA filters seems to be very fashionable at present. The Sony RX1 features a full frame sensor and has a format factor (sometimes also referred to as "crop factor") of 1.0. Then there's the matter of a lens. Your eyes can tell you plainly that the Sony A99's noise processing is a little more aggressive here. With the introduction of the new Sony … While we are not able to objectively test this, the theory behind the larger-than-normal separation of the left and right microphones is to provide a better stereo effect. Almost all video-capable still cameras on the market distort moving objects, or the entire scene, if the camera is being panned quickly to some extent. Après un premier RX1 qui a connu un beau succès d'estime, Sony met à jour son compact professionnel à capteur plein format avec ce RX1R Mark II. Neither detracted significantly from the sheer pleasure of using the camera. The buttons sprinkled around the camera are equally a good balance between too stiff and too easy, with a nice breakaway feel so you'll know when you've pressed one. Sweep Panorama is probably familiar to everyone by now; you can capture a panoramic shot by just holding down the shutter button and "sweeping" the camera in front of you. The same could be true of tall buildings in a city, or for that matter any other tall subject that's too close to fit into the frame. The camera's premium quality is … Again a pretty close match between the Sony RX1 and Nikon D600, though we give the edge to the RX1 here. Sony shipped samples of both for our evaluation. In Movie Mode, there are video-specific Program Auto, Aperture Priority, Shutter Priority and Manual exposure modes, that give users the ability to really fine-tune the look and feel of their videos. The only trick with this off-focus workaround is to blur things slightly enough so you don't end up with an over-soft image. Do all RX1's show the same behavior? (Not a significant criticism; both cameras do remarkably well at ISO 3,200). The AVCHD image compression used by the Sony RX1 is one of the more compute-intensive formats, and its high maximum resolution of 1,920 x 1,080 pixels resolution means there's a lot of data in each frame to deal with. There's also almost no chroma noise, so high-ISO shots look great when enlarged. You have to remember; "Oh yeah, that control says WB, but I've actually reassigned it to metering pattern." Casual video shooters will welcome this behavior, as it makes getting the proper exposure in video much easier, just point and record. Speaking of aperture adjustments, it was amusing watching myself when I first started shooting with the camera, as I wasn't used to having mechanical aperture and exposure compensation controls available. When it came to white balance, the Sony RX1 handled difficult and mixed lighting with ease. These would be very nice features for users wanting to manually focus when shooting video, but they are not available in RX1's Movie mode. The 30p MP4 and 24p AVCHD test videos showed more rolling shutter artifacts than the 60p AVCHD video, which is similar to what we've observed in other cameras. See his 35 1.8 Review HERE.. I've waxed euphoric about the RX1's image quality above, but it really deserves special mention when summing up my experience with the camera. You can of course view your movies on a high definition TV via the Micro HDMI (Type-D) output. in movie mode, prior to the start of recording. It's our guess (and admittedly nothing more than that) that the problem goes deeper than firmware, down to the mechanics or electronics of the camera/lens system itself. We did encounter one really perplexing issue in some of our lab shots, namely that they showed a red/magenta to cyan color cast across the images; a very slight reddish/magenta color cast on the left faded into an equally slight cyan cast on the right. The camera's stellar capabilities and handling let me get the shots I wanted with very little fuss, and very little thought about the camera itself. RX1. Last year you shared a video . Sony 35 1.8 Lens vs Sony RX1! The Verge‘s RX1 verdict — shooting like a pro with a pocket-sized camera:. The front of the Sony RX1 is pleasantly simple, with a small leather-like grip, a bold but simple product name and an AF-assist lamp. Because the lens rings are dedicated to the lens controls, the Sony RX1 doesn't have the nifty programmable front control ring found on so many premium pocket cameras (such as the RX100, Canon S100 and Panasonic LX7). Man kan lagre HD-video i fuld 1080p/50-kvalitet med respektable 28 Mbit/s videostrøm, som giver støjfri og skarpe videobilleder. As noted above, we did find some limitations and foibles that the RX1 was subject to, but they had very little impact on my own shooting, and wouldn't in any way keep me from purchasing an RX1 if I were in the market. If you're that type of shooter, you'll be happy with the RX1's uncompensated exposure choices; if you're not, just dial in +2/3 EV of exposure compensation as your personal default. For most people, $2,800 seems an awfully high price for a small-body camera with a fixed lens, regardless of quality. I did find that I was adding about +2/3 EV of exposure compensation to many of my shots. We bring this up, of course, because we found evidence of aliasing in the RX1's images, in both still and video captures. The old-style aperture ring feels wonderful, but I actually found it a little awkward having to shift my hand position as I held the camera higher or lower. RX1. Certainly the pink swatch includes a clear thread pattern, though the D600 gets the pink closer to right. Featured 6 Months With The Sony RX1 By Simi Tometi January 23, 2015 83. by Dave Etchells, Shawn Barnett, Mike Tomkins, Zig Weidelich and Dave Pardue Hands-on Preview and Walkthrough by Shawn Barnett Posted 09/12/2012. If you're like me, you enjoy taking pictures more than fiddling with camera controls. The Sony RX1 is a $2,800 fixed-lens point-and-shoot. (The D800's sensor is made by Sony's sensor division.) The RX1 II to camera was announced on April of 2016. ), Macro focus setting doesn't get you very close, 1/2000s max shutter speed at f/2, but "extended" ISO 50 helps, No continuous AF in still capture mode, continuous AF in video mode doesn't work, "Off" High ISO noise reduction setting applies stronger NR to red channel than "Low" or "Normal", Sluggish buffer clearing (does not take advantage of UHS-I cards), Standalone battery charger is optional (should be included), Plastic LCD screen: Should really be Gorilla Glass at this price point, Pricey to some, especially when you consider the cost of the optional, dedicated accessories. In the first part of the clip, notice the roof at the top left, which takes on a shimmering effect, then observe the long portion of the gutter, which almost appears to ripple. While the RX1 offers more configurability than most cameras, that by itself doesn't explain why I took such advantage of it, let alone so quickly. The only audio options available are to disable audio recording altogether or to switch on a Wind Noise Reduction filter. A place for Sony RX1/RX1R, RX10, and RX100/RX100 II shooters to share imagery, experiences, thoughts, and discoveries. I really liked the Sony RX1's file quality, especially in its RAW images. Summary: Does it say anything revealing about a camera's printed image quality that when we printed an 8 x 10 at ISO 6,400, looked at it with amazement, and naturally assumed we must have somehow made a mistake and were in reality looking at ISO 400 instead? Sony introduces the world’s first compact digital camera with a 35 mm full-frame sensor. Road Trip – A video from 8000 stills and the Sony RX1 by Ofer Rozenman I’m a frequent reader of your blog and really like the content you post. We aim to be thorough, however, so for anyone interested in learning more about the RX1's video capabilities, below are the basic specs as well as our usual battery of tests. Period, full stop. Well, almost. At $600, the FDA-V1K is more expensive than the EVF to boot. At the end of the day, my experience with the Sony RX1, again, was all about the joy of photography. There's a button labeled "Fn" on the camera's rear panel, and one labeled "C" on the top, but those are entirely generic labels that actually suggest you should assign a function to them. Taking white balance as an example, it has all the white balance settings you could ask for, including no less than four different settings for fluorescent lighting, three separate custom settings, and the ability to apply manual adjustments to every setting separately, using the by now familiar cyan-red/green-magenta (A-B/G-M) color map. While some forms may be subject to detection and removal, by definition, aliasing is impossible to completely distinguish from valid image data. Given that Sony has been in the video business for a long time, and has delivered great video performance on many of their recent still camera models, though, it came as an unpleasant surprise to us that the RX1 wasn't similarly capable in the video area. The Sony Cyber-shot DSC-RX1 is a full-frame compact camera with a fixed 35mm F2 lens. A while ago we got some hints about the replacement of Sony RX1R II camera. Sony RX1 vs RX1R. ISO 6,400 prints well at 8 x 10, which is yet again excellent for this ISO. The Sony RX1 can also record Full HD at up to 60p. These shots were captured with the camera on a tripod, looking at our flash range/uniformity target. After a good bit of head-scratching and a couple days of chasing the issue, we finally tracked it down to the RX1's shading compensation. Once I got over the embarrassment, I quickly came to love the physical EV adjustment dial, but was surprised to find myself wishing for a rear-panel aperture adjustment. 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